Deb Miller
1950 posts — page 32 of 39
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Nominations Announced for the 2019 Drama Desk Awards
Nominations for the 64th annual Drama Desk Awards were announced this afternoon for the 2018-19 season, honoring the outstanding achievements of professional theater artists on Broadway, Off-Broadway,...
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Review: ‘Hadestown’ at the Walter Kerr Theatre
One of the most haunting love stories of all time is the ancient Greek myth of Orpheus and Eurydice, recounted in Virgil’s Georgics, Ovid’s Metamorphoses, and other literary classics. Devastated by...
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Review: ‘Gary: A Sequel to Titus Andronicus’ at the Booth Theatre
What’s so funny about mounds of bloody, dismembered, and spurting bodies, flatulence and excrement, necrophilia, and penises – lots and lots of penises? That depends on your sense of humor. Taylor...
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Review: ‘Hillary and Clinton’ at the Golden Theatre
Can you imagine a parallel universe in which the politics of the 2008 US presidential campaign are played out by people with the same names, situations, and inter-relationships as the real-life...
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15 Questions in 15 Minutes with Lucille Lortel Award Nominee John Edwards
Actor/singer/dancer John Edwards is not just a triple threat, he’s also an awards-nominated one, and deservedly so. A current member of the Grammy-nominated Broadway Inspirational Voices gospel choir,...
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Review: ‘All Our Children’ at The Sheen Center
Among the unimaginable atrocities perpetrated under Adolf Hitler’s command was Aktion T4 (or the “Euthanasia Decree”) – the systematic murder of an estimated 200,000 people with disabilities,...
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An Interview with Keith Rubin: Celebrating Harry Potter in ‘Puffs’ at New World Stages
Now playing at New World Stages as “the famously handsome wizard boy Cedric” in the long-running Off-Broadway hit Puffs – a critically-acclaimed laugh-out-loud comedy inspired by the Harry Potter...
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Review: ‘Girlfriend from Hell: The Musical’ at The Green Room 42
When Maggie Miller just can’t take any more abuse from the popular clique of mean girls, dream guys, and high-school bullies, her cries for help are answered by the Devil himself. At the cost of her...
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Review: ‘King Lear’ at the Cort Theatre
“’Tis the times’ plague when madmen lead the blind” (King Lear, Act IV, Scene 1) Based on the legendary Leir – ancient Celtic King of the Britons, whose story was recounted in Geoffrey of Monmouth’s...
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Review: ‘Sincerely, Oscar’ at Theatre Row
Oscar Hammerstein (1895-1960) – half of the legendary team of Rodgers and Hammerstein (with composer Richard Rodgers), recipient of eight Tony Awards and two Oscars, and writer of the words to an...
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Review: ‘Do You Feel Anger?’ at Vineyard Theatre
Absurdist dark comedy meets the #MeToo and #TimesUp movements in the Vineyard Theatre’s New York premiere of Mara Nelson-Greenberg’s Do You Feel Anger? Directed by Margot Bordelon, the biting send-up...
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Chilling with Will Roland
From Dear Evan Hansen to Be More Chill, Will Roland has played a major role in two of the biggest hits on Broadway, both focused on teenage characters and relevant themes that appeal to a new...
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Review: ‘The White Devil’ at the Lucille Lortel Theatre
John Webster’s bloody Jacobean revenge tragedy of 1612, filled with infidelity, deceit, greed, and corruption, is brilliantly re-envisioned for our times in Red Bull Theater’s current production of...
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Review: ‘Broadway by the Year: Broadway Musicals of 1943 & 1951’ at The Town Hall
In the nineteenth season’s second installment of Broadway by the Year: Broadway Musicals of 1943 & 1951, director and host Scott Siegel took audiences on a retrospective journey along the Great White...
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15 Questions in 15 Minutes with Tiffany Mann from ‘Be More Chill’
Fifteen minutes of fame don’t even come close to the phenomenal success and widespread renown of Be More Chill and its cast, from the show’s origins in New Jersey in 2015, through its wildfire...
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Review: ‘Ain’t Too Proud’ at the Imperial Theatre
One of the all-time greatest vocal groups from the golden age of Motown in the 1960s, The Temptations topped the charts with such iconic R&B and crossover hits as “The Way You Do The Things You Do,”...
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Review: ‘Kiss Me, Kate’ at Studio 54
Winner of the first Tony Award for Best Musical when it made its debut in 1948, Kiss Me, Kate has a long history as one of the great Broadway classics by the legendary Cole Porter, who wrote the music...
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Review: ‘Vilna’ at the Theatre at St. Clement’s
Based on actual events of World War II and sorely relevant today in light of the resurgence of hate-mongering and anti-Semitism in our current socio-political climate and widespread acts of terrorism...
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Review: ‘Be More Chill’ at the Lyceum Theatre
Just when you thought it couldn’t get any better, Be More Chill has. Following its sold-out extended run at The Pershing Square Signature Center, the sensational high-school musical that defines teen...
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Review: ‘A Jewish Joke’ at Theatre Row
One of the darkest periods in modern American politics was the McCarthy Era of the mid-20th century. Fueled by the anti-Communist sentiment of the Cold War, the government issued a list of suspected...
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Review: ‘Surely Goodness and Mercy’ at Theatre Row
Making its New York premiere in the Clurman Theatre at Theatre Row, Keen Company’s resonant production of Surely Goodness and Mercy by playwright Chisa Hutchinson is an uplifting present-day parable...
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Review: ‘Chick Flick the Musical’ at the Westside Theatre
Making its debut at Off-Broadway’s Westside Theatre, Chick Flick the Musical – a new work “written by a woman about women for women” (but directed by a man) – unapologetically employs the pejorative...
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Intoxicated Revelry with a Taste of the Classics: ‘ShakesBEER’ at New York Shakespeare Exchange
Before the advent of purpose-built theaters in Elizabethan England, the coach yards, covered balconies, and galleries of inns and taverns – historical forerunners of the British pub – had served as...
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Review: ‘SERIALS @ The Flea’ at The Flea Theater
Inaugurated in 2011, and now celebrating its 50th cycle of brand-new ten-minute episodic plays, SERIALS @ The Flea – originally created by Dominic Spillane and Stephen Stout in collaboration with Jim...
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Review: ‘Arrowhead’ at Feinstein’s/54 Below
A one-night-only sold-out premiere cabaret concert of a new musical by Jackson Teeley (book and music) and Sarah Galante (book), performed at Feinstein’s/54 Below by an impressive cast of nineteen hot...
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Review: ‘Broadway by the Year: Broadway Musicals of 1928 & 1935’ at The Town Hall
Now in its nineteenth season, Broadway by the Year – the popular series of one-night-only concerts featuring songs from the musical history of the Great White Way – opened its 2019 season last night...
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Review: ‘The Play That Goes Wrong’ at New World Stages
Absolutely everything is right about the transfer of Mischief Theatre’s award-winning Broadway production of The Play That Goes Wrong to its new Off-Broadway home at New World Stages. While “non-stop...
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Review: ‘The Price of Thomas Scott’ at Theatre Row
Introducing its two-year initiative for audiences to “Meet Miss Baker” – with the American premiere of three works by English playwright Elizabeth Baker (1876-1962), readings of a selection of her...
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Review: ‘Boy Band Brunch’ at The Green Room 42
A recurrent act at The Green Room 42, The Boy Band Project is back by popular demand with its Boy Band Brunch for four Sundays in February and March. So if you can’t say “Bye Bye Bye” to the hits of...
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Review: ‘My Very Own British Invasion’ at Paper Mill Playhouse
Based on an idea by Peter Noone, front man of the 1960s English pop-rock band Herman’s Hermits, the world premiere of My Very Own British Invasion has opened for a limited engagement at New Jersey’s...
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Braden Chapman Brings ReTHEATRE’s Acclaimed ‘Hedwig and the Angry Inch’ to the Laurie Beechman Theatre
Having achieved widespread popularity on RuPaul’s Drag Race as his larger-than-life alter-ego Mimi Imfurst, Braden Chapman is a critically-acclaimed actor, singer, director, writer, and producer of...
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‘GRINDR: The Opera’ by New York’s Erik Ransom Wins London’s Offie Award for Best New Musical
It was just announced at London’s ninth annual Off-West End Awards (or Offies – the English equivalent of New York’s Obies), presented this evening in the Grand Hall at Battersea Arts Centre, that...
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15 Questions in 15 Minutes with Broadway’s Derrick Cobey
Soon to open back on Broadway at Studio 54 – where Andy Warhol, who coined the phrase “famous for 15 minutes,” spent more than a minute in the late 1970s, when it was the hottest club in New York...
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Review: ‘Ah, Wilderness!’ at The Sheen Center
Presented by Blackfriars Repertory Theatre and The Storm Theatre at The Sheen Center, Ah, Wilderness!, Eugene O’Neill’s coming-of-age three-act comedy, offers an opportunity for diehard fans of the...
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15 Questions in 15 Minutes with Broadway’s Kyle Taylor Parker
Wisconsin-born and New York-based award-winning actor Kyle Taylor Parker is well known to lovers of musical theater and to all loyal KTPEEPS for his featured roles in the original Broadway casts of...
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Review: ‘Livin’ La Vida Grande’ at The Green Room 42
Following his appearance in two sold-out runs of Titanique, Frankie Grande has returned to The Green Room 42 with an updated revival of his solo cabaret act Livin’ La Vida Grande for two sold-out...
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Review: ‘Colin Quinn: Red State Blue State’ at the Minetta Lane Theatre
Brooklyn-born comedian Colin Quinn, familiar to TV viewers everywhere for his regular appearances on Saturday Night Live, Comedy Central, and MTV’s Remote Control, continues to ignite New York theater...
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‘It’s a Man’s World’ – Or Is It? An Interview with Lindsay Lavin and Ilana Gabrielle, Bringing their Cabaret Act to The Green Room 42
BFFs since their school days at Boston’s Berklee College of Music, Lindsay Lavin and Ilana Gabrielle make their return to the stage together at The Green Room 42, Broadway’s newest urban cabaret club,...
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Review: ‘Secret Identity’ at The Flea Theater
The oldest professional LGBTQ+ theater company in New York, TOSOS (The Other Side of Silence) addresses the enduring issues and psychological impact of bullying and homophobia in its world-premiere...
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The Al Hirschfeld Foundation Pays Tribute to Carol Channing
With this morning’s passing of Broadway legend Carol Channing (1921-2019), just two weeks shy of her 98th birthday, The Al Hirschfeld Foundation pays homage to the star with its release of the work of...
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Review: ‘Maestro’ at The Duke on 42nd Street
Presented by the Ensemble for the Romantic Century in a limited engagement at The Duke on 42nd Street, Maestro, written by Eve Wolf (the company’s Founder and Executive Artistic Director), examines a...
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Review: ‘Dan Domenech: Bootleg Famous’ at Feinstein’s/54 Below
Following his New Year’s Eve blow-out in Palm Springs with the touring Rock of Ages Band, Dan Domenech (who was a lead in the Broadway production at the Helen Hayes Theatre) returned home for the...
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Review: ‘Choir Boy’ at the Samuel J. Friedman Theatre
Making a soul-stirring Broadway debut with the Manhattan Theatre Club after its Off-Broadway premiere with MTC in 2013, Tarell Alvin McCraney’s revised Choir Boy has already extended its limited...
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Review: ‘Rap Guide to Evolution’ at SoHo Playhouse
In 2009, Baba Brinkman debuted what would be the first in his award-winning series of Rap Guides, an imaginative mash-up of challenging scientific and philosophical theories with popular rap music....
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Review: ‘Christmas in Hell’ at the York Theatre Company
Oops! When eight-year-old Davin is rushed to the ICU on Christmas Eve for eating a piece of tainted re-gifted fruitcake, he is erroneously taken down to Hell in place of mass murderer Charles Manson,...
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Review: ‘Ruben & Clay’s Christmas Show’ at the Imperial Theatre
Well known to tens of millions of television viewers as the top two contenders on American Idol’s blockbuster second season in 2003, BFFs Ruben Studdard and Clay Aiken are celebrating the fifteenth...
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Review: ‘The Cher Show’ at the Neil Simon Theatre
A biographical jukebox musical about a Pop icon who’s lived her life in the public eye since the age of sixteen, The Cher Show, making its Broadway debut at the Neil Simon Theatre, has all the glitz...
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15 Questions in 15 Minutes with ‘Be More Chill’ Composer and Lyricist Joe Iconis
Long Island native Joe Iconis knows better than anyone about the power of the internet to achieve fame that extends well beyond Andy Warhol’s proverbial fifteen minutes. Following its regional...
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Review: ‘The Illusionists – Magic of the Holidays’ at the Marquis Theatre
Get ready for your jaw to drop, your eyes to open wide, and your mouth to be agape! Back on Broadway for the fourth year with a limited six-week engagement of an all-new touring production, The...
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An Interview with Tony Award-Winning Playwright Itamar Moses
An acclaimed writer for both the big stage and the small screen, Itamar Moses is the reigning 2018 Tony-Award winner for the Best Book of a Musical for the hit Broadway production of The Band’s Visit...