John Stoltenberg

Rainbow Theatre Project’s ‘Blue Camp’ shows its lavender heart

This world premiere comic drama about gays in the military takes us back to July and August of 1964 when LBJ was ordering American ground troops into Vietnam in response to the Gulf of Tonkin incident...

On tour in DC with ‘What to Send Up When It Goes Down’ by Aleshea Harris

Editor’s note: Woolly Mammoth Theatre, in conjunction with its staging of Jackie Sibblies Drury’s Fairview, has brought to DC a show produced by the Harlem-based Movement Theatre Company that is...

Mosaic’s brazenly brainy ‘Theory’ is both a treatise and a treat (Magic Time!)

Academia has inspired several thematically penetrating plays featuring female protagonists—the two teachers falsely accused of being lesbian lovers, for instance, in Lillian Hellman’s 1934 The...

Shakespeare Theatre Company’s Simon Godwin on conscience in ‘Everybody’ and himself

On the day after opening night of Everybody, the first show in Simon Godwin’s much-heralded first season as artistic director of Shakespeare Theatre Company, I visited him in his office to ask him...

Michael Burgos’s ‘Tiramisù’ is one hilarious trip

Tiramisù—the caffeinated confection from Italy—translates as “pick me up” or “cheer me up,” which makes it the perfect name for the hilarious new solo show Michael Burgos brought to DC Arts Center...

What’s magnificent and what’s muddled in ‘Right to Be Forgotten’ at Arena Stage (Magic Time!)

Right to Be Forgotten is a play written from the outside in. By that I mean, its intention is to illustrate a legal issue: the tension in U.S. law between privacy and freedom of speech, a tension...

A theater buff auditions the GalaPro app (updated)

How does that new GalaPro app work? How well does it work? And what’s it like to watch a show with it? This inquiring theatergoer wanted to know. Many Deaf and hard of hearing people are already...

The power of subversive design in ‘Day of Absence’ at Theater Alliance (Magic Time!)

To realize how much white America loved minstrelsy is a reckoning painful or shameful, depending on one’s ancestry. Minstrel shows were never meant for people of African descent to see; they were...

A Wild Tale Wags ‘My Barking Dog’ at Caos on F

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Magic Time!: A #MeToo Memory Animates ‘I Am Her’

Midway through this taut, fraught drama about sexual trauma, a woman named Ana, a wife and young mother, is suddenly triggered. We are not told exactly why. It might be the Kavanaugh hearings...

The Sorrow Beneath the Surface of ‘School Girls’ at Round House Theatre

Can one laugh heartily at a satirical comedy—be thoroughly engaged by the entertaining characters, story, and performances—and then after it’s over mourn what it was about? That was for me the...

Review: Book ‘The Book Club Play’ at Silver Spring Stage

Whether you’re an avid reader or a theater buff or both, there’s a supersmart, superfunny show up in Silver Spring that should be on your short list. Marking its 52nd anniversary (!), community...

Maria Manuela Goyanes on ‘Fairview,’ race, and what’s next at Woolly Mammoth

I saw Jackie Sibblies Drury’s Fairview opening night at Woolly, and I cannot stop thinking about its originality—not only in form but in intent. I’m not writing about the production—my colleague Amy...

Review: ‘Surfacing’ at Expats Theatre Depicts the Desperation of the Displaced

It isn’t every day you see a play that merges Becket and Martha Graham. That’s my takeaway from watching the hybrid form of Surfacing play out at the Atlas: Three actors are strictly circumscribed in...

REACH Report: ‘The Just and the Blind’ Aims to Save Black Sons

“How does a black boy become an American?” asks spoken word artist Marc Bamuthi Joseph. “How does he learn his role to play?” For Joseph the question is personal and visceral. In The Just and the...

Review: Raise a Glass to ‘The Smuggler’ at Solas Nua

The bar is open and there’s 100-proof theater on tap. It’s a stirring play about an Irish immigrant bartender, and it’s shaking up a classy new cocktail bar where only 30 patrons at a time can see it....

Review: ‘Fabulation’ at Mosaic Theater Is an Outright Joy

It takes a certain talent to turn topics that are no laughing matter into laugh-out-loud comedy that doesn’t condescend, doesn’t ridicule, and yet imbues life with meaning as only art can. That kind...

Review: ‘Enron’ at 4615 Theatre Company Is an Excellent Investment

Back in 1998, the official Enron vision and values statement had a line in it that said: “Ruthlessness, callousness, and arrogance don’t belong here.” Two years later, as the company’s stock...

Review: ‘The War Boys’ at Ally Theatre Company is raw and riveting

The animus being whipped up against “invaders” at our southern border lends Naomi Wallace’s 1993 The War Boys an unsettling resonance. Written when she was but 26, the play is about three men in their...

Magic Time!: ‘Blank’ at Theater Alliance

“There are holes in the script!” would be the deathblow for any more conventional work of theater, but in Nassim Soleimanpour’s Blank, the gaps are where the action’s at. As with Soleimanpour’s hugely...

Review: ‘Or,’ by Theatre Prometheus at Capital Hill Arts Workshop

Liz Duffy Adams’s play Or,—which premiered in 2009 at the Women’s Project in New York—is a deliciously literate feminist farce. A radical mashup of dichotomies (among them straight and gay, male and...

Magic Time!: A Love Letter to ‘Dear Evan Hansen’

When Dear Evan Hansen debuted at Arena Stage four years ago, I was so moved by the show I wrote it a love letter, republished below. Now a Broadway hit, it returns to DC for a run at Kennedy Center...

Review: ‘Volta’ by Cirque du Soleil

It always sparks joy when Cirque du Soleil comes to town, and its latest Big Top production, Volta, is a crazy-wondrous delight. The show is inspired by amateur street sports, and its theme is the...

Dispatches from Mike Daisey’s ‘A People’s History,’ Chapters 1 to 18

Over 16 days in Washington, DC, in July 2019, Mike Daisey gave 18 different performances, each about an hour and 45 minutes long, of his epic look at America’s past, present, and future. He drew from...

Daily Dispatches from Mike Daisey’s ‘A People’s History’

[CLICK HERE to read all 18 dispatches in chronological order.] Chapter 18: The Living Moment, July 21 7pm This final chapter continued to retell and reinterpret a people’s history, meaning the...

Magic Time!: Why ‘A People’s History’ Is “Painful”: A Q&A With Mike Daisey

John: Before you brought A People’s History to DC, you performed all 18 parts three times—once through in Minneapolis and twice through in Seattle. I can imagine people could be picking and choosing...

Review: ‘The Negroes Are Congregating’ (DC Black Theatre & Film Festival)

Midway through this fast, furious, in-your-face poetic explosive about anti-black racism, one of the three cast members stops the action and says: “I’m sorry, I’m trying to keep up the pace with this...

Review: ‘The Heroes’ Tale’ (DC Black Theatre & Arts Festival)

This power plant of a play knocked me out two years ago during the Capital Fringe Festival and knocked me out all over again in the DC Black Theatre & Arts Festival. The Heroes’ Tale debuted in 2011,...

Magic Time!: ‘The Boy from Troy’ (DC Black Theatre & Arts Festival)

One looks for hope where one can find it. And sometimes hope pops up on its own, unexpected. That kind of hope, not sought out, can catch in one’s throat, can even move one to tears. Such was what...

Magic Time!: The Mind-Blowing Stagecraft in ‘Twisted Melodies’ at Mosaic Theater

Twisted Melodies is a spectacular finish to Mosaic’s fourth season. Written by and starring Kelvin Roston, Jr., the show sweeps us into Donny Hathaway’s world of magnificent music-making and mental...

Review: ‘Baldwin’s N*gger’ (DC Black Theatre & Arts Festival)

With the recent release of I Am Not Your Negro and If Beale Street Could Talk, the eminent writer James Baldwin received significant cinematic attention. This has been followed in DC by two...

‘A People’s History’ at Capital Fringe Will Rock Your Worldview

I remember being so bored by my high school American history class that I got a D in it. This was not normal. My report cards always had A’s and B’s. So the kindly elderly woman who taught the course,...

Review: ‘Byhalia, Mississippi’ at The Kennedy Center

The pivotal character in this profoundly moving comedy is Laurel, a young woman who has relocated from Jackson to Byhalia, Mississippi, to make a life with the young man she plans to love for the rest...

Review: ‘HERstory: Love Forever, Hip Hop’ at The Kennedy Center

I have to marvel at all the ways the national culture temple named for our 35th president reaches out to an audience that looks like America. There’s no such uniform audience, of course—no performing...

Magic Time!: ‘A Doll’s House, Part 2’ at Round House Theatre

How do I love this play? Let me count the ways. My colleague David Siegel’s review heaps accolades on the Round House Theatre production of Lucas Hnath’s A Doll’s House, Part 2, now playing at the...

Magic Time!: ‘The Oldest Boy’ at Spooky Action Theater

Sara Ruhl’s The Oldest Boy tells a gut-wrenching story serenely, almost gently. At the heart of it is the bond between mother and child, a tie that Ruhl knew intimately when she wrote the play,...

Review: ‘Antigonick’ and ‘The Fragments of Sappho’ by Taffety Punk Theatre Company

Antiquity is in the house and what’s old is new again. Taffety Punk is presenting two short theater pieces featuring its signature integration of dance, drama, and music based on voices from Ancient...

Review: ‘Klytmnestra: An Epic Slam Poem’ at Theater Alliance

Dane Figueroa Edidi is one of DC’s most original and multitalented theater artists. A dancer, actor, poet, playwright, and choreographer, she is also a teacher, novelist, political commentator as well...

Review: ‘Sooner/Later’ at Mosaic Theater Company

A rom-com about manhunting…at Mosaic? That’s probably not the sort of fare you’d expect from DC’s preeminent theatrical platform for social-justice programming. But who is to say that fair should have...

Review: ‘The Member of the Wedding’ at 1st Stage

It was nearly 70 years ago that Carson McCullers adapted her beloved 1946 novel The Member of the Wedding into a prizewinning Broadway play. Set in a small Southern town, the story centers on two...

Review: ‘The Tarot Reading (V)’ at Anacostia Arts Center

The circusy-party vibe begins before showtime. The place is festooned with streamers, furnished with comfy sofas, bedecked in colored light, and stocked with bags of popcorn to share. A friendly Fool...

Magic Time!: ‘The Chibok Girls: Our Story’ at Georgetown University

One night five years ago, a horror happened in Chibok, North Eastern Nigeria. The Boko Haram—Islamicist terrorists who believe that Western education is evil—abducted 276 girls from the school where...

Magic Time!: ‘God of Carnage’ at Keegan Theatre

The set foreshadows the coming fracas. There’s a fault line down the middle where this living room seems sliced in two. And something’s out of whack. The halves do not align. Like two stressed...

Review: ‘The Children’ at Studio Theatre

Three retired nuclear physicists meet in a quaint cottage not far from the nuclear power plant where they once worked and where a catastrophe has occurred. Earthquake, tsunami, tidal wave,...

Magic Time!: ‘Oslo’ by Round House Theatre

It is rare that theater seriously asks us to believe something far beyond itself. Typically we are asked to suspend disbelief about let’s-pretend that happens on stage. The gripping and inspiring play...

Magic Time!: 10 Questions for the Brains Behind ‘The Tarot Reading’

Even in this theater town abounding in innovation, The Tarot Reading stands out as an original. I can’t think of anything it’s quite like. After I saw an iteration last year (The Tarot Reading IV), I...

Review: Broadway Center Stage: ‘The Who’s Tommy’ at Kennedy Center

Fifty years ago Rolling Stone reported completion of a new album by Pete Townshend and called it “probably the most important milestone in pop since Beatlemania. For the first time, a rock group has...

Magic Time!: Disrupting the White Comfort Zone: A Q&A about ‘P.Y.G.’ at Studio Theatre

I have an ongoing interest in how theaters in DC with predominantly white audiences raise and represent the issue of race. And one of the things I’ve been noticing is how the white comfort zone...

Magic Time: ‘Les Deux Noirs: Notes on Notes of a Native Son’ at Mosaic Theater Company

The splashy opening is spectacularly preconception-smashing. We know we’re about to see a play premised on a 1953 meeting in a Paris café between the literary lion Richard Wright and James Baldwin,...

Magic Time!: Inside the DC Jail with Liza Jessie Peterson and ‘The Peculiar Patriot’

Actor and Playwright Liza Jessie Peterson is an extraordinary artist/activist. Tucked inside her uproarious one-woman show, The Peculiar Patriot—which she performs through April 20, 2019, at Woolly...