Lisa Traiger

Review: Monica Bill Barnes & Company: ‘Happy Hour’ at The Kennedy Center

Monica Bill Barnes & Company Serving Up Food for Thought … and Cake In life some things that are easy look hard and others that are hard look easy. That’s also the case for choreographer and dancer...

Review: ‘Director’s Cut’ at The Washington Ballet at The Kennedy Center

Ballet Elevated Earlier this month, the dance world rumbled a bit upon learning of the resignation of The Washington Ballet’s high-energy, effervescent Artistic Director Septime Webre. Since his...

Review: Dance Place’s 35th Year Reunion

Dance Place Reunion Celebrates 35 Years When Dance Place marks a milestone, invariably by the evening’s end its Founding Artistic Director Carla Perlo has more people on stage than in the audience....

Review: American Ballet Theatre’s ‘The Sleeping Beauty’ at The Kennedy Center

Alexei Ratmansky’s newest staging of the great classical ballet The Sleeping Beauty feels like that moment in the classic MGM film The Wizard of Oz when the scene goes from black and white to...

Review: ‘The Winter’s Tale’ at The Kennedy Center

The Winter’s Tale: Warm Production for a Cold Winter’s Night Choreographer Christopher Wheeldon has taken a challenging late Shakespearean play – The Winter’s Tale from 1623 – and revitalized it into...

DCMetroTheaterArts’ Best of 2015 #19: ‘A Look Back at Dance in 2015’ by Lisa Traiger

For reasons that continue to surprise me, 2015 was a relatively light dance-going year for me. That said, I managed to take in nearly a top ten of memorable, exceptional or challenging performances...

Ardani Artists Presents: Eifman Ballet of St. Petersburg: ‘Rodin’ at The Kennedy Center

Boris Eifman is a choreographer critics love to hate and audiences simply love. In fact, in his 2011 opus, Rodin, detailing the loves of the great French sculptor who chiseled the art form into the...

‘We Wait in the Darkness by Rosy Simas Danse at Dance Place

As a long-time dance observer, I like to say the language of dance is universal and that in performance specificity on stage can imbue a work with universality. Saturday evening at Dance Place in...

Moveius Dance in World Premiere ‘Glacier’ Intersections Festival at Atlas Performing Arts Center

My phone told me it was 14 degrees as I made my way to the Atlas Friday evening. A fitting temperature for the world premiere of a work titled Glacier, by Moveius Contemporary Ballet. By day Diana...

‘Deep Roots Wide World’ at Teatro de Danza Contemporanea at Dance Place

“Long title and long history,” said Dance Place Co-Director Deborah Riley to introduce DC Contemporary Dance Theatre, which has also worked under the moniker El Teatro de Danza Contemporanea. Its...

DCMetroTheaterArts’ Best of 2014: A Year in Dance 2014 by Lisa Traiger

My year 2014 in dance opened in January with a return of the now annually visiting Mariinsky Ballet to The Kennedy Center Opera House. Though the company brought “Swan Lake,” the company’s signature...

‘BSO: Duke Ellington’s Nutcracker’ with the Baltimore Symphony Orchestra and Step Afrika! at Strathmore

“There are two kinds of music, good music and the other kind,” big band leader, composer and D.C. native son Duke Ellington famously said. In 1960 he turned to Russian powerhouse Peter Ilych...