Baltimore

Review: ‘Love is a Blue Tick Hound’ at Rapid Lemon Productions (Women’s Voices Theater Festival)

No garden gnomes were injured in the writing of this review As part of the 2018 Women’s Voices Theater Festival, Rapid Lemon Productions is presenting the regional premiere of Love is a Blue Tick...

Review: ‘Inherit the Wind’ at Baltimore’s Vagabond Theatre

On a cold winter’s night, nothing heats up faster than a fiery debate. And when it comes to political grandiloquence – as timely today as 100 years ago – the Vagabond Players opening night performance...

Review: ‘A Hunger Artist’ at Baltimore Theater Project

Reviewed by Jason Williams Sinking Ship’s production of A Hunger Artist is a dark comedy that balances self-deprecation with self-awareness. Adapted from a short story of the same name from Czech...

News: Baltimore Center Stage Announces New Accessibility Program

Knott Foundation Grant Opens Doors for Theatergoers Baltimore Center Stage has announced the rollout of its newly expanded and updated Accessibility Programs, funded in part by a grant from the Marion...

Review: ‘The Revolutionists’ at Everyman Theatre

“It’s a powerful thing to come together and laugh in a scary time.” – Playwright Lauren Gunderson Mon Dieu! I had no idea how much I needed a good laugh until I attended a performance of Everyman...

Review: ‘A Christmas Carol’ at Chesapeake Shakespeare Company

The annual productions throughout this region of Charles Dickens’s nearly 175-year-old tale, A Christmas Carol, are as timeless and an integral part of the holiday experience as nativity scenes,...

Review: ‘A Wonderful Life: The Musical’ by Third Wall Productions

It was an enjoyable time last night seeing all the hard work Third Wall’s cast put into A Wonderful Life: The Musical. The show is an adaptation of the movie It’s a Wonderful Life with many great...

Review: ‘Lookingglass Alice’ at Baltimore Center Stage

Throughout December, visitors entering the Baltimore Center Stage lobby will immediately notice the strange goings-on and the Wonderland-like atmosphere bestowed upon the venue. Over to the left is...

Review: ‘Private Confessions’ at The Kennedy Center

How might one react to finding and reading their mother’s diary after her death? Did she purposely leave the diary so it would be found and read, rather than destroy it? And, how in Heaven’s name,...

Review: ‘Mr. Burns, A Post-Electric Play’ at Cohesion Theatre Company

What better venue for a production of Anne Washburn’s Mr. Burns, a Post-Electric Play – an ensemble piece set in a dystopian future where the power grid has failed, sending all our nuclear power...

Review: ‘The Lion King’ at the Hippodrome Theatre

The Lion King is epic. It is so full of throat-tightening spectacle and aural splendor that Baltimore’s grand Hippodrome Theatre can appear at times like a modest host. With Julie Taymor’s magical...

Interview: Submersive Productions Co-Artistic Directors GLENN RICCI and URSULA MARCUM on ‘H.T. Darling’s Incredible Musaeum presents: The Treasures of New Galapagos, Astonishing Acquisitions from the Perisphere.’

In April of this year, I wrote: Submersive Productions has outdone itself with its new production, H.T. Darling’s Incredible Musaeum presents: The Treasures of New Galapagos, Astonishing Acquisitions...

Review: ‘You Don’t Know Jack’ at Charm City Fringe Festival

MAP Underground, the 14 Karat Cabaret performance space in the basement of the Bromo Arts District’s Maryland Art Place, was the perfect venue to meet “philosopher clown,” Jack Golden. Before taking...

In the Moment: Arena Stage and USO “Annual Military Thanksgiving”

It is a season of thanksgiving and spending time with family and friends. But, untold numbers of D.C. and Baltimore area military families spend the Thanksgiving holiday away from loved ones serving...

Interview: ‘Dandy Darkly’s Myth Mouth!’ Creator and Performance Artist Neil Arthur James at Charm City Fringe Festival

It’s a bit of an understatement that Fringe festivals lead you to encounter some very interesting people. Every now and then you run into a kindred spirit, as I did when I was getting ready to see...

Review: ‘The Structure of Us’ at Charm City Fringe Festival

The last time I was in NYC, I visited the Rubin Museum; there was an that exhibit allowed you to listen to different Buddhist chants representing performances of ceremonies marking various transitions...

Review: ‘Fruit of the Sea’ at Charm City Fringe Festival

FLORIDA MAN DRESSES UP 13-FT ALLIGATOR IN NOVELTY HAT AND SUNGLASSES FOR HALLOWEEN. News stories about the tragic exploits of Florida Man and Florida Woman are the first thing to greet you when you...

Review: ‘Smack ‘Em in the Snout’ at Charm City Fringe Festival

Confession: I saw the audition notices for Smack ‘Em in the Snout, written and directed by Rufus Drawlings, a few months ago and I thought to myself, “Wow, what a strange concept for a show!” Now,...

Review: ‘You’re in Danger’ at Charm City Fringe Festival

You’re in Danger, written and performed by Lucius Robinson, is an absolute delight for those who enjoy creepy tales. Lucius commits fully to the role of middle-aged Mitchell Barnes, telling his...

Review: ‘The Pink Hulk’ at Charm City Fringe Festival

The Pink Hulk, written and performed by Valerie David and directed by Padraic Lillis, with artwork by Rebecca Kalant, is not your typical sad cancer story. After surviving lymphoma and breast cancer,...

Review: ‘Origin of Species’ at The Strand Theater

You are young and life is long and there is time to kill today And then one day you find, ten years have got behind you No one told you when to run, you missed the starting gun – “Time,” by Pink Floyd...

Interview: Michael Brush & Zachary Michel of Charm City Fringe Fest 2017

DC Theater Arts was excited to speak to Charm City Fringe Festival founders Zach Michel and Michael Brush last week at the Lexington Market. We enjoyed a nice chat over crab cakes and local beer. Here...

Interview: Nine Dollar Bill Theatre, performing ‘THEM’ at the Charm City Fringe Festival Nov 8-12

The Sixth Annual Charm City Fringe Festival, running through November 12 in the Bromo Arts District, has a ton of fantastic stuff happening. One of the things I am most looking forward to is a show...

Review: ‘Magnificent Machines & Astonishing Tales’ at Charm City Fringe Festival

Steampunk fans! Your moment has arrived on the deck of a time traveling airship in Night Watch Paradox’s Magnificent Machines & Astonishing Tales. With lead singer Kaya Kismet weaving her spell over...

Review: ‘Godly Chaos’ at Charm City Fringe Festival

Oh, gosh. What to say about Godly Chaos? This show, produced by QuaQuaQua, is highly ambitious. It takes place, primarily, on a large screen where the movements of the artist/actor are captured in a...

Review: ‘Cody Clark: A Different Way of Thinking’ at Charm City Fringe Festival

Cody Clark is obsessed with magic. At the start of Cody Clark: A Different Way of Thinking, the audience is handed a Rubik’s cube to play with. Everyone passes it around and, when Cody comes on stage,...

Review: ’Foodless Food’ at Charm City Fringe Festival

For every good ad there are a hundred bad ones. This is where Foodless Food by BlueShift Dance starts. The projections of advertising for unhealthy food products takes us from the advent of television...

Sixth Annual Charm City Fringe Festival: What to See and Where to See It

The Sixth Annual Charm City Fringe Festival is in full swing! Today alone (11/4/17), there are TEN different shows for you to enjoy. And after that, there are two Fringe After Dark events. Here’s a...

Review: ‘Little Shop of Horrors’ at Vagabond Players

The timing of Vagabond Players’ production of Little Shop of Horrors is fortuitous, opening Halloween weekend when thoughts turn to the spooky and macabre, and running through November 25, before the...

Review: ‘The Sea Voyage’ at Baltimore Shakespeare Factory

Ask most theater lovers if they have heard of Jacobean-era playwrights such as John Fletcher and Philip Massinger and you would probably receive a confused “no.” Fletcher and Massinger, who wrote The...

Review: ‘Intimate Apparel’ at Everyman Theatre

In 2015, Everyman Theatre produced an acclaimed run of Playwright Lynn Nottage’s Pulitzer Prize-winning play, Ruined. Tazewell Thompson directed and actors Jade Wheeler, Bueka Uwemedimo, and Resident...

Review: ‘Yellowman’ at Arena Players (closing tomorrow!)

This is what my mother/her mother before her believed / they believed had they been born “rich and high yella,” they wouldn’t have suffered. Clear your calendar, call the sitter and postpone your plan...

Interview: Jade Wheeler and Bueka Uwemedimo from Everyman Theatre’s production of ‘Intimate Apparel’

Intimate Apparel is the story of a woman named Esther. In 1905, Esther is a 35-year-old woman who lives in a rooming house with other single ladies. She is a skilled seamstress who makes her living...

Review: ‘The Color Purple: The Musical’ at Baltimore’s Hippodrome Theatre

Timing could not be better for a professionally mounted, national tour of The Color Purple: The Musical. Call this a reminder-on-wheels that sexual exploitation is not a Hollywood invention. Judging...

Review: ‘Cry Baby’ at Silhouette Stages at Slayton House

Cry Baby opened at Slayton House in Columbia, MD this week. The play is based on a 1990s movie by John Waters of Hairspray fame and directed and choreographed by Tommy Malek. The play was turned into...

Review: ‘The Cradle Will Rock’ at Iron Crow Theatre

It takes a lot of Joes to make a sound you can hear. Iron Crow Theatre is on fire right out of the gate with its fantastic season opener, The Cradle Will Rock. Under the expert direction of Artistic...

Review: ‘Julius Caesar’ at Chesapeake Shakespeare Company

“Three or four wenches, where I stood, cried ‘Alas, good soul!’ and forgave him with all their hearts: but there’s no heed to be taken of them; if Caesar had stabbed their mothers, they would have...

Review: ‘The Christians’ at Baltimore Center Stage

Spearheading a “season of community” and stimulating thought-provoking dialogue, Baltimore Center Stage headlines the first production of its 2017/18 span in electrifying fashion with rising...

Review: ‘I Hate Hamlet’ at Fells Point Corner Theatre

Threading a touch of Shakespeare with campy humor and artful absurdity, Fells Point Corner Theatre (FPCT) introduces its 30th anniversary season with a fun revival of Paul Rudnick’s I Hate Hamlet....

Review: ‘Two Trains Running’ at Spotlighters Theatre

Okay, I’ll say it: the production of August Wilson’s Two Trains Running is so packed with dynamic performances under the direction of the multi-faceted Fuzz Roark, it threatens to explode out of the...

Review: ‘M. Butterfly’ at Everyman Theatre

Though written 30 years ago, few contemporary plays speak so profoundly to America’s current situation in the world as does David Henry Hwang’s M. Butterfly, now playing at Baltimore’s Everyman...

Interview: Everyman Artistic Director Vincent Lancisi on Serendipity and ‘M. Butterfly’

There’s a story circulating about Everyman Theatre’s Artistic Director, Vincent Lancisi, and it’s one of the best What I Did on My Summer Vacation yarns around. It involves two continents, 16,000...

Review: ‘Memphis -The Musical’ at Motor House

As a teenager growing up in the 1950s in a small New Jersey town just across the river from Philadelphia, I was hooked on R&B music, my transistor radio tuned to WDAS-AM, 1480 on the upside of the...

Everyman Theatre and the Maryland Film Festival join forces for stage-inspired screening series at the Parkway

Six-part guest-hosted series merges audiences and art forms Baltimore, MD – Everyman Theatre and the Maryland Film Festival (MdFF) are pleased to announce “Everyman at the Parkway,” a season-long...

Review: ‘Vanya and Sonia and Masha and Spike’ at Cockpit in Court

This hot, summery production of Vanya and Sonia and Masha and Spike (VSMS), a production of Cockpit in Court Summer Theatre, is a spicy show you definitely want to… Chekhov… your bucket list. This...

Review: ‘Chicago’ at ArtsCentric at Motor House

The city of Chicago is “Hog Butcher for the World… City of the Big Shoulders,” as poet Carl Sandburg wrote just over a 100 years ago. Much the same could be said of certain elements of the press,...

Review: ‘Tick Tick… BOOM!’ at Stillpointe Theatre

Before the emergence of the late legendary composer and playwright Jonathan Larson’s iconic Rent on Broadway, there was his semi-autobiographical rock monologue Tick, Tick… Boom! that he performed on...

From Bethlehem to Philadelphia: An Interview with Rami Khader, Director of the Diyar Dance Theatre

Director Rami Khader, along with a group of talented and committed artists, both male and female and of differing ages and backgrounds, founded Diyar Dance Theatre in 2008. Based in Bethlehem, their...

Review: ‘A Midsummer Night’s Dream’ at Baltimore Shakespeare Factory

Sitting outdoors is probably the best venue to watch Shakespeare, and watching a production in July of his classic comedy A Midsummers Night’s Dream under the direction of Tom Delise is the ultimate...

Review: ‘Spring Awakening’ at Spotlighters Theatre

The success of any production of Steven Sater and Duncan Sheik’s Spring Awakening rests on the ability to find harmony between the two dichotomous elements of setting and song. The musical is set in...