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Review: ‘Late Night Double Feature Improv Show’ by Fells Point Corner Theatre
Bill Kamberger
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July 20, 2018
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Baltimore
Review: ‘Judy and the General’ at Spotlighters Theatre
Allie Press
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June 30, 2018
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Baltimore
Review: ‘Shrek the Musical’ at Charm City Players
Ben Fisler
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March 23, 2018
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Baltimore
Review: ‘School of Rock’ at the Hippodrome Theatre
Cassandra Miller
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March 21, 2018
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Baltimore
Review: Happenstance Theater’s ‘Slapstick Jukebox’ Is a Wacky Good Time
Wendi Winters
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March 2, 2018
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Baltimore
In the Moment: Interview with Patrick Lord, Projection Designer
David Siegel
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February 8, 2018
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Baltimore
Review: ‘Skeleton Crew’ at Baltimore Center Stage (Women’s Voices Theater Festival)
Gina Jun
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February 5, 2018
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Baltimore
Review: ‘Long Day’s Journey Into Night’ at Everyman Theatre
Carolyn Kelemen
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February 4, 2018
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Baltimore
In the Moment Part 2: Interviews with Playwrights Dominique Cieri, Wendy Graf and Hope Villanueva (Women’s Voices Theater Festival)
David Siegel
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January 31, 2018
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Baltimore
In the Moment: Interviews with Women’s Voices Theater Festival playwrights – Part 1
David Siegel
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January 21, 2018
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Baltimore
Review: ‘Love is a Blue Tick Hound’ at Rapid Lemon Productions (Women’s Voices Theater Festival)
Patricia Mitchell
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January 15, 2018
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Baltimore
Review: ‘Inherit the Wind’ at Baltimore’s Vagabond Theatre
Carolyn Kelemen
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January 8, 2018
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Baltimore
Review: ‘A Hunger Artist’ at Baltimore Theater Project
Guest Author
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December 18, 2017
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Baltimore
News: Baltimore Center Stage Announces New Accessibility Program
Guest Author
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December 14, 2017
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Baltimore
Review: ‘The Revolutionists’ at Everyman Theatre
Patricia Mitchell
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December 13, 2017
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Baltimore
Review: ‘A Christmas Carol’ at Chesapeake Shakespeare Company
Wendi Winters
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December 10, 2017
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Baltimore
Review: ‘A Wonderful Life: The Musical’ by Third Wall Productions
Allie Press
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December 9, 2017
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Baltimore
Review: ‘Lookingglass Alice’ at Baltimore Center Stage
Kristopher Zgorski
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December 8, 2017
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Baltimore
Review: ‘Private Confessions’ at The Kennedy Center
David Siegel
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December 7, 2017
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Baltimore
Review: ‘Mr. Burns, A Post-Electric Play’ at Cohesion Theatre Company
Patricia Mitchell
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December 4, 2017
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