Washington DC

Review: ‘Ella Enchanted’ at Adventure Theatre

Glen Echo Park is a hidden gem that’s a blast from the past. As if Ella Enchanted at Adventure Theatre MTC wasn’t enough fun on its own, the park was a delight to walk through on the way to the...

The 2017 Helen Hayes Award Nominations To Be Announced Tonight/A Look Back at The 2016 Recipients

The 2017 Helen Hayes Awards nominations will be announced TONIGHT during a festive gathering beginning at 7 pm on Monday, February 6, 2017, in the Helen Hayes Gallery of Washington’s historic National...

Magic Time! ‘I Wanna Fucking Tear You Apart’ at Studio X

Friendships between fat girls and gay boys really are a thing, practically a cliché actually—or a trope, as Playwright Morgan Gould dignifies them when referring to just such a queer pairing in her...

Young Artists of America Performs at The Kennedy Center’s Millennium Stage on February 27th; Tickets on Sale for ‘The Circle of Life: The Songs of Tim Rice in Concert’ at 4 PM at The Music Center at Strathmore

The only program of its kind, Young Artists of America at Strathmore presents symphonic theatrical productions featuring young performing artists from the Greater Washington, DC area alongside...

Review: ‘The Gin Game’ at MetroStage

You observe a cozy setting, a two story structure slightly suggestive of institutional. There’s a gliding rocker and curtained windows that filter warm amber light, potted plants, scattered chairs, a...

Review: ‘I Wanna Fucking Tear You Apart’ at The Studio Theatre

They are longtime friends who share an apartment, a hearty back-and-forth, and a splendid repartee of tease, criticism, support and jealousy, and multiple emotions that swirl as individuals...

Review: ‘The River’ at Spooky Action Theater

Jez Butterworth’s The River does not yield itself to easy interpretations. Uncertainty flows through the story, jostling us repeatedly. Its questions about truth and morality are specific and seismic...

Magic Time! ‘The River’ at Spooky Action Theater

A man has a remote rustic fishing cabin. There are lot of fish in the water nearby. He’s a rugged, outdoorsy guy and he loves to fish. In a Hemingway novel he would not be a fish out of water. This...

Review: ‘Trevor’ at 1st Stage

Trevor, directed by Alex Levy and written by Nick Jones, at 1st Stage, is equal parts emotional and thought-provoking. With strong performances throughout, this subversive show is dark comedy at its...

Review: ‘Sweeney Todd’ at Olney Theatre Center

Revenge is sweet as pie in Olney Theatre Center’s Sweeney Todd. Director Jason Loewith serves up a grisly production of Stephen Sondheim’s 1979 Tony Award-winning musical that captures the essence of...

Review: ‘Baby Screams Miracle’ at Woolly Mammoth Theatre Company

What does one say about a play that has a Superstorm as its protagonist? With Clare Barron’s Baby Screams Miracle, now showing at Woolly Mammoth Theatre Company, just such a storm is nature’s supreme...

Review: ‘The Originalist’ at Asolo Repertory Theatre

Playing now in repertoire with The Great Society, a stunning new play that New York has not yet seen, called The Originalist, is keeping the good citizens of Sarasota who clearly love good theatre...

Review: ‘The Miracle Worker’ at Rockville Little Theatre

The Rockville Little Theatre’s production of The Miracle Worker written by William Gibson, produced by Dean Fiala and Emily Mullin and directed by Laura W. Andruski opened Friday, February 3, 2017, at...

Review #2: ‘Caroline, Or Change’ at Round House Theatre

Caroline, or Change, now playing at Bethesda’s Round House Theatre, is a musical clarion call for change at all levels. Whether it is personal change and transformation at the most personal level,...

Review #1: ‘Caroline, Or Change’ at Round House Theatre

Round House Theatre continues to shine a spotlight on the works of Tony Kushner (Angels in America) as it explores life’s complexity through its seeming simplicity in Kushner’s autobiographical...

Interview: Meet the Cast of ‘The Miracle Worker’ at Rockville Little Theatre. Part 3: Brian Lyons-Burke

In Part Three of a series of interviews with the cast of Rockville Little Theatre’s The Miracle Worker, meet Brian Lyons-Burke. Please introduce yourself and tell our readers where they may have seen...

Interview: Meet the Cast of ‘The Miracle Worker’ at Rockville Little Theatre. Part 4: Jordan Clifford

In part four of a series of interviews with the cast of Rockville Little Theatre’s The Miracle Worker, meet Jordan Clifford. Please introduce yourself and tell our readers where they may have seen you...

Maryland Opera Studio to Premiere University of MD’s Opera Composition Contest Winner ‘The Young King’ on Friday, 2/10@7:30 PM at The Clarice

The first-year members of the Maryland Opera Studio present a semi-staged New Work Reading every year, but this year’s reading is unique. On February 10, the Maryland Opera Studio premieres the...

Review: Mariinsky Ballet’s ‘The Little Humpbacked Horse’ at The Kennedy Center

Movement and merriment abound in Mariinsky’s The Little Humpbacked Horse Restraint and sutlety are generally not traits associated with Russian comedy ballet, and that proved true last evening at The...

Spine: Love and Wit in ‘As You Like It’ at the Folger Theatre

Now playing at the Folger Theatre, a new adaptation of Shakespeare’s As You Like It, directed by Gaye Taylor Upchurch and produced in association with Hudson Valley Shakespeare Festival, is sure to...

In the Moment: Jewish Plays Project at the Jewish Community Center of Northern Virginia

We in DC theater community are constantly on the prowl for new voices with diverse mindsets and new plays on emerging issues to be open to the upcoming generation of possible theater-goers. Whether...

Interview: Co-Directors Serge Seiden and Vaughn Ryan Midder on ‘Hooded, or Being Black for Dummies,’ Now in World Premiere at Mosaic Theater Company of DC

I first encountered Hooded, or Being Black for Dummies five months ago, when it was presented at The Kennedy Center’s Page-to-Stage Festival. Hearing the play at that first public reading was an...

Interview: Meet the Cast of ‘The Miracle Worker’ at Rockville Little Theatre. Part 2: Lena Winter

In Part 2 of the series of interviews with the cast of Rockville Little Theatre’s The Miracle Worker, meet Lena Winter. Please introduce yourself and tell our readers where they may have seen you...

Interview: Meet the Cast of ‘The Miracle Worker’ at Rockville Little Theatre. Part 1: Meredith Abramson

In a series of interviews with the cast of Rockville Little Theatre’s The Miracle Worker, meet Meredith Abramson: Joel: Please introduce yourself and tell our readers where they may have seen you...

Meet the Cast of Olney Theatre Center’s ‘Sweeney Todd’: Part One: David Benoit (Sweeney Todd)

I was so thrilled when Olney Theatre Center announced that David Benoit and E. Faye Butler were cast as Sweeney Todd and Mrs. Lovett in their new production of the iconic pie-filled Tony Award-winning...

Review: ‘Our Town’ at Annapolis Shakespeare Company

Annapolis Shakespeare Company’s production of Our Town, their first show at their new location on West Street, is a thoughtful, creative take on Thornton Wilder’s classic American play. Directed by...

In the Moment: ‘As You Like It’ at Folger Theatre

Gaye Taylor Upchurch’s appealing direction gives Folger Theatre’s As You Like It a warm flirtatious essence with buffoonery galore masking over Shakespeare’s initial soulful melancholic core. With...

Review: ‘Hooded, Or Being Black for Dummies’ at Mosaic Theater Company of DC

There is a laugh track with this show. As in a prerecorded TV sitcom where the studio audience was cued to be amused, there’s an overhead LAUGH sign that flashes intermittently accompanied by canned...

Review: ‘Mason Bates’ KC Jukebox: Ravishment’ at The Kennedy Center

Virginia’s own Mason Bates is the current composer-in-residence at the Kennedy Center and now playing the second season of his collaborative KC Jukebox series. The series presents out-of-the-box...

Review: ‘The Lion in Winter’ at The Arlington Players

This past weekend, The Arlington Players opened a solid production of the dark comedy, The Lion In Winter, by Playwright James Goldman. For those unfamiliar with the play, it is a work of fiction but...

Review #1: ‘As You Like It’ at Folger Theatre

An updated classic that rocks! Shakespeare’s comedy, As You Like It, is the icing on the Folger Theatre’s 25th season and its observance of the 400th anniversary of The Bard’s passing. This show,...

Review: ‘Last Train to Nibroc’ at Washington Stage Guild

On a train rumbling eastward from Los Angeles in 1940, a young man in uniform invites himself to sit down next to a pretty young woman absorbed in her book. As it turns out, they are both from...

Magic Time!’ ‘LIZZIE: The Musical’ at Pinky Swear Productions

Don’t groan but this is a bloody good show. It rocks, it roils, it’s saucy and sassy, it’s effin in-your-face. The story is gory as you might expect. It’s about the legendary 1892 axe murder of Lizzie...

Review: ‘Hamlette’ at The Keegan Theatre

Being a teenager is never easy, especially if your mother has just married your uncle, who also happens to have murdered your father, and nobody can accept the fact that you’re a girl. Add in a visit...

Review: ‘Beauty and the Beast’ at Ovations Theatre

Ovations Theatre has enchanted its way into the hearts of its audiences once again with a children’s production of Beauty and the Beast. This young and energetic cast, directed by Darnell Morris,...

Review: ‘Bells Are Ringing’ at The Fredericktowne Players

The Fredericktowne Players have just opened their revival of the classic musical Bells Are Ringing. This is an infrequently performed work from the 1950s, that has many charms. Musical theatre...

Interview: Meet the Cast of ‘Loves and Hours’ at Laurel Mill Playhouse. Part 9: Juliet Beach

In part nine of a series of interviews with the cast of Loves and Hours at Laurel Mill Playhouse, meet Juliet Beach. Joel: Please introduce yourself and tell our readers where they may have seen you...

Magic Time! ‘Silent Sky’ at Silver Spring Stage

Lately the news has been resignifying theater more than usual. To resignify is not a commonly used verb but it’s a commonly understood thing. It means “to give new signification to,” to alter what...

Interview: Meet the Cast of ‘Loves and Hours’ at Laurel Mill Playhouse. Part 8: Penni Barnett

In part eight of a series of interviews with the cast of Loves and Hours at Laurel Mill Playhouse, meet Penni Barnett. Please introduce yourself and tell our readers where they may have seen you...

Review: ‘Who’s Afraid of Virginia Woolf?’ at Ford’s Theatre

A sampling of the audio from the packed house should serve as ample description for Ford’s Theatre’s stunning new production of Edward Albee’s Who’s Afraid of Virginia Woolf?: raucous laughter, groans...

Spine: ‘Mack, Beth’ a ‘Macbeth’ for the Cyber Age at Keegan Theatre

Mack, Beth by Chris Stezin, now playing at The Keegan Theatre, is a Macbeth for the Cyber Age. Set in a world where death by dagger is replaced by death by fake news, Mack, Beth makes a person’s brand...

Arts Collective @HCC Presents ‘A 2-Show Valentine Affair’ February 10 & 11, 2017

Directed by: S.G. Kramer and Daniel Johnston Creative Writing Coordination by: Tara Hart Music Performed by: Chris Sisson, Steven Caballero Stage Management by: Linwood Milan Production Assistance by:...

Interview: Meet the Cast of ‘Loves and Hours’ at Laurel Mill Playhouse. Part 7: Gage Warren

In part seven of a series of interviews with the cast of Loves and Hours at Laurel Mill Playhouse, meet Gage Warren. Please introduce yourself and tell our readers where they may have seen you perform...

Interview: Meet the Cast of ‘Loves and Hours’ at Laurel Mill Playhouse. Part 6: Jen Sizer

In part six of a series of interviews with the cast of Loves and Hours at Laurel Mill Playhouse, meet Jen Sizer. Please introduce yourself and tell our readers where they may have seen you perform on...

In the Moment: A Chat With Ethan Van Slyke on His Career and Understudying For ‘Watch On the Rhine’ at Arena Stage

A joy for a theater writer is to bring notice to young up-and-coming actors. In the past year I have the good fortune to see Ethan van Slyke perform with several professional theater companies in the...

Review: American Ballet Theatre’s ‘Swan Lake’ at The Kennedy Center

American Ballet Theatre Offers Magical Moments of Escapism The grey cloud of uncertainty that hovers over all, especially dance, lifted last evening at The Kennedy Center Opera House, if only for a...

Review: ‘Mack, Beth’ at The Keegan Theatre

Chris Stezin’s adaptation of Macbeth, presented by Director Matt Ripa at The Keegan Theatre, is a daring attempt to bring one of Shakespeare’s most famous tragedies into the modern day. In this...

Review: Carla Cooke at the Bethesda Blues & Jazz Supper Club

There was a fabulous, swinging party on this past Sunday night and it all happened at the wonderful Bethesda Blues & Jazz Supper Club as the dynamic and talented singer Carla Cooke paid tribute to her...

Review: Washington Performing Arts Presents The Philadelphia Orchestra / Yannick Nézet-Séguin, Conductor

It is easy to understand why The Philadelphia Orchestra has tapped Yannick Nézet-Séguin to be their music director and conductor of such a prestigious institution. Yannick exudes charisma and delivers...

Interview: Playwright Chris Stezin on ‘Mack, Beth,’ Playing Now at The Keegan Theatre

Chris Stezin is a playwright, actor, and director whose work—on and off the stage—has brightened the marquees of DC theatres for more than two decades. The author of roughly 25 plays in as many years,...