Studio Theatre

Review: ‘Vietgone’ at Studio Theatre

There is so much in this show to flip over, you could be dizzied by its delights. The fantastical story and kooky characters, the wicked humor and badass music, the frisky cast and musicians, the...

Interview with Matt Torney, director of ‘Translations’ at Studio Theatre

It’s no coincidence that Matt Torney is directing Translations, the iconic Brian Friel play now on view at Studio Theatre. “It’s a play I’ve wanted to do ever since I first saw it in Belfast, when I...

Review: ‘Translations’ at Studio Theatre

Studio Theatre’s take on Translations by Brian Friel (1929-2015) is one crackling fine production. It begins as an intellectually stimulating comedy, then ultimately turns tragic after weaving through...

Review: ‘Othello’ at American University’s Studio Theatre

A play like Othello raises many questions in the minds of theater-lovers: Should art be recuperative? Should plays written long ago be redeemed to suit the tastes of modern-day audiences? Othello is a...

Magic Time!: Katie Kleiger on Bonding and Being a Warrior in ‘The Wolves’ at Studio Theatre (Women’s Voices Theater Festival)

The reason I asked to interview Katie Kleiger is that after I saw her in Sarah DeLappe’s The Wolves at Studio Theatre, I realized I had seen her on the same fourth-floor stage in Lucy Prebble’s The...

Review: ‘The Wolves’ at Studio Theatre (Women’s Voices Theater Festival)

If the Women’s Voices Theater Festival existed only to give us Sarah DeLappe’s The Wolves, it would be worth it. But we have more than 20 other new plays by female playwrights to enjoy in this year’s...

DC Theater Arts Announces New Collaboration Initiatives with TodayTix

As DC Theater Arts continues to grow in its mission to provide theater fans with the best critically-engaging coverage, we are happy to announce that we will be exploring additional affiliate...

Enter the TodayTix 5 for 5 Preview Lottery for ‘The Wolves’ at Studio Theatre

What is the TodayTix 5 for 5 Lottery? Studio Theatre and TodayTix are offering a mobile Lottery for $5 preview tickets! Enter the 5 for 5 Lottery for a chance to win exclusive tickets to The Wolves‘...

Review: ‘Holiday Memories’ at HCC Art’s Collective

Holiday Memories plays this weekend only at Howard Community College in the Horowitz Visual and Performing Arts Center’s Studio Theatre produced by the Howard County Arts Collective and directed by...

Review: ‘Curve of Departure’ at Studio Theatre

Rachel Bonds’ new play, Curve of Departure, now playing at Studio Theatre, is that rarity among modern plays: it’s traditional storytelling at its most engaging. Enter Rudy, played with a glorious...

Magic Time!: “My Job Is to Crack Open My Soul”: A Q&A with Justin Weaks, Now Appearing in ‘Curve of Departure’ at Studio Theatre

Justin Weaks was recently named by the Washington Post one of DMV’s 12 “stage dynamos,” one of “the best of an emerging cadre of younger regional talent.” He would have been on my short list too. I’ve...

Review: ‘Every Brilliant Thing’ at Arden Theatre Company

The list began after her first attempt. A list of everything brilliant about the world. Everything worth fighting for. If I were to make a list of every brilliant thing about the world, audience...

Magic Time!: ‘A Short Series of Disagreements Presented Here in Chronological Order’ at Studio Theatre

He might have had an interesting idea for a solo show. He hadn’t written it yet. but he told Studio Theatre, which had booked him, that its title would be A Short Series of Disagreements Presented...

Review: ‘A Short Series of Disagreements Presented Here in Chronological Order’ at Studio Theatre

Daniel Kitson is an acquired taste. In the premiere of his newest one-actor creation, A Short Series of Disagreements Presented Here in Chronological Order at Studio’s Metheny Theatre, Kitson’s stage...

Review: ‘A Short Series of Disagreements Presented Here in Chronological Order by Daniel Kitson’ at Studio Theatre

Living in the modern world, we are constantly the bystander to, or observer of, the life events of others. Be they consequential and indelible, or fleeting and forgettable, these seemingly...

Review: ‘Digital Eye: Interactive Event Merging Theater Explores Privacy in the Digital Age’ at Blind Whino SW Arts Club

Big Brother Really, Really Likes You Your online identity does not belong to you. Digital Eye, a transatlantic theater project that was presented Monday and Tuesday, October 16-17, at Blind Whino SW...

Spine: Love in the Time of Big Pharma, ‘The Effect’ at Studio Theatre

Big Pharma is not only big, it’s growing bigger by the panic attack, by the back spasm, by the botched terrorist attack. We want that pill that makes us happy because that happy is our latest knight...

Review: ‘The Effect’ at Studio Theatre

When two lovers in life or on stage display an intense interaction of attraction, they are said to have “chemistry.” That elusive feeling may be more than a metaphor, according to Lucy Prebble’s...

Review: ‘Blood at the Root’ at Howard University’s Department of Theatre Arts

Hard to imagine a dramatic work more perfect for undergraduate actors or more pertinent to the racial tensions of our times than Dominique Morisseau’s trenchant Blood at the Root, now playing in a...

Spine: What’s Left of America’s Makers, ‘Skeleton Crew’ at Studio Theatre

Lord, in a bourgeois town It’s a bourgeois town I got the bourgeois blues Gonna spread the news all around Any Washington theatregoer who craves a working class show, where the characters are...

Review: ‘Skeleton Crew’ at Studio Theatre

Even before the houselights go dim, sparks fly. That vision — of fire blazing from a riveter’s gun in a factory in Detroit — is emblematic of what is to come in Skeleton Crew, Dominique Morrisseau’s...

Review: ‘Wig Out!’ at Studio Theatre

The world of Wig Out! is a glittering fantasia on house ballroom culture. Tarell Alvin McCraney’s ingeniously metatheatrical 2006 script sets this play with music in the urban underground that came to...

2017 Capital Fringe Review: ‘LIFE: A Comic Opera in Three Short Acts’

LIFE: A Comic Opera in Three Short Acts is neither quite an opera nor a musical; it is not a really a comedy or a drama. It’s a bit of everything, using classical music, Broadway, doo-wop, and more to...

2017 Capital Fringe Review: ‘This Too Comes By Hard’

No way around it, this is a dark, harsh, and gritty domestic drama. For some, it may be too dark, too harsh, too gritty, perhaps a partner violence trigger. A fun, frothy, feel-good frolic this show...

2017 Capital Fringe Review: ‘Caveat’

Caveat (written and directed by Ben Lockshin and playing at Gallaudet University’s Eastman Studio Theater) is a “One’s-a” show, where each character is an idea of a person more than an actual person....

2017 Capital Fringe Review: ‘Constructive Fictions’

Was ever a jailed sex offender more self-righteous and self-pitying than Rabbi Barry Freundel in this brilliantly disturbing new play by A. J. Campbell? Were ever such a predator’s’ victims—in...

2017 Capital Fringe Review: ‘Ready to Serve: Remember the Nurses’

Stories of war wounded told from the point of view of military medics—those who try to save lives and bag the bodies of the ones they can’t—give glimpses into the bravery and heroism of the fighting...

Capital Fringe Preview: ‘ECHOES’ by N. Richard Nash by Manoel Amado

A young man and woman build a low-keyed paradise of happiness within an asylum, only to have it shattered by the intrusion of the outside world. The two characters search, at times agonizingly, to...

Capital Fringe Preview: ‘Caveat’ by Ben Lockshin

Unless you’re an heiress or robber baron, a room of one’s own in DC is hard to come by. Enter the group house scene – where the young, cash-strapped, and slightly desperate commit to living with...

Capital Fringe Preview: ‘The Blind’ by The Wheel Theatre Company

Imagine you are lost and alone in the forest. You have never been here before and you cannot see to find your way out. You don’t know if anyone knows you are missing or if they will be able to find...

Review: ‘Inheritors: The Nature of Keys’ at Howard Community College’s Arts Collective

Inheritors: The Nature of Keys is an original collaborative drama by Howard Community College’s Art Collective, directed by S. G. Kramer, that opened at the HCC’s Horowitz Center Studio Theatre on...

HCC’s Arts Collective Presents ‘INHERITORS: The Nature of Keys’ June 8 – 18, 2017

HCC’s Arts Collective Presents “INHERITORS: The Nature of Keys” June 8 – 18, 2017, An Original Play Devised by The Company. Howard Community College’s Arts Collective concludes its 22nd season with...

Magic Time!: ‘The Father’ at The Studio Theatre

There are reasons aplenty not to miss The Father now playing at The Studio Theatre, and Ted van Griethuysen’s performance in the title role is foremost among them. Recently the recipient of a Helen...

Review #2: ‘The Father’ at The Studio Theatre

It’s taken five years for The Father—the highly-acclaimed drama by Florian Zeller that shook Paris in 2012—to arrive in the Washington area. But now that it’s here—following sold-out performances in...

Review: ‘The Father’ at The Studio Theatre

Some plays are more difficult to watch than others; some plays activate your imagination and pull you into their stories whole-body: those plays pull you into the psychological realities they portray....

Review: ‘Barnaby Rudge’ at Lumina Studio Theatre

Of Charles Dickens’s fifteen novels, there are few, if any, that are less well-known than his first historical, Barnaby Rudge: A Tale of the Riots of Eighty—and few, with its forty-plus characters and...

Magic Time!: ‘Smart People’ at Arena Stage at the Mead Center for American Theater

Racism, presumed in polite circles to be no laughing matter, gets a hilariously smart deconstruction in Lydia R. Diamond’s Smart People. Arena Stage has given this 2016 play its DC premiere in a nifty...

Review: ‘Improvaganza-A 3-Night Improv Festival’ Presented by Howard Community College’s Arts Collective

Thursday, March 30, 2017, the fun began in The Studio Theatre at Howard Community College with the start of Improvaganza-A 3 Night Improv Festival (with the additional bonus of three Master Classes in...

Post-Play Palaver: ‘Three Sisters’ and ‘No Sisters’ at Studio Theatre

Post-Play Palaver is an occasional series of conversations between DCMetroTheaterArts writers who saw the same production—in this case the same two productions, Chekhov’s Three Sisters and Aaron...

Interview: A Q & A with Arts Collective@HCC’s ‘IMPROVAGANZA’ Participants: Part One

Howard Community College’s Arts Collective’s What Improv Group?! is presenting Improvaganza, HCC’s (and Howard County’s, too) FIRST Improv Festival with Master Classes, on March 30, 31 and April 1,...

IMPROVAGANZA: Improv Festival and Improv Master Classes at Arts Collective @HCC

Howard Community College’s Arts Collective’s What Improv Group?! presents… IMPROVAGANZA! A Three-Night Improv Festival Mar 30, 31 & Apr 1, 2017, at 8pm in HCC’s Studio Theatre at the Horowitz Center....

Review: ‘Three Sisters’ at The Studio Theatre

As improbable as it may sound, the plays of Anton Chekhov are vivid proof that there is such a thing as joyful melancholy. You can commune with his characters’ misfortunes and acknowledge the...

Review: ‘No Sisters’ at The Studio Theatre

A shout-out to Studio Theatre co-founder Russell Metheny, who designed the complex on 14th Street, for installing a backstage stairway connecting the dressing rooms of the second-floor Milton and the...

Magic Time! ‘I Wanna Fucking Tear You Apart’ at Studio X

Friendships between fat girls and gay boys really are a thing, practically a cliché actually—or a trope, as Playwright Morgan Gould dignifies them when referring to just such a queer pairing in her...

Review: ‘I Wanna Fucking Tear You Apart’ at The Studio Theatre

They are longtime friends who share an apartment, a hearty back-and-forth, and a splendid repartee of tease, criticism, support and jealousy, and multiple emotions that swirl as individuals...

Review: ‘LEAR’ at Lumina Studio Theatre

On the night of the J20 Art Strike, a protest movement asking that “business . . . not proceed as usual in any realm” of the creative arts on Inauguration Day, I felt a little guilty attending a play....

Spine: Consciousness, Conscience, and ‘The Hard Problem’ at The Studio Theatre

Tom Stoppard’s The Hard Problem isn’t so much about consciousness and the existence of subjectivity, “the hard problem” elucidated by contemporary Australian philosopher David Chalmers, as it is about...

Magic Time! ‘The Hard Problem’ at The Studio Theatre

I love when a play starts out as a fascinating head trip—a smart, high-concept exhilaration of ideas—then propels me headlong into an overwhelming flood of emotion. It’s like being transported along a...

In the Moment: The Studio Theatre’s ‘The Hard Problem’

Studio Theatre’s production of The Hard Problem by Tom Stoppard charmed me with its intellectual and ideological turmoil fueled by verbal fierceness. With a shiny, contemporary veneer and Stoppard’s...

Review: ‘The Hard Problem’ at The Studio Theatre

No shrinking violet when it comes to exploring humanity’s most complex questions, playwright Tom Stoppard takes a deep dive into the frontiers of neuroscience, human nature, and the existence of God...