Connie Morris

‘A Little Trick and Afterplay’ at Quotidian Theatre Company by Connie Morris

What a wonderful little gem the Quotidian Theatre Company of Bethesda is. With performances tucked away at the Writer’s Center on Walsh Street, the decidedly unremarkable building houses a delightful...

Capital Fringe Review: ‘Zero Tolerance: Sex, Math and Seizures’ by Connie Morris

Barbara Selfridge’s one woman show asks the question “You decide which is scarier: epilepsy or prime numbers…and sex.” An intriguing and beguiling question that doesn’t quite maintain the same level...

Capital Fringe Review: ‘HeLovedtheSoftPornoftheCity’ by Connie Morris

I hate giving my age away, but I spent my childhood in the 1960s and 70s. Since I was fortunate enough to have the fine arts, music, and theater within my public school curricula, on occasion I would...

Capital Fringe Review: ‘Pushing Boundaries’ by Connie Morris

I love reading Fringe show descriptions. I usually develop an expectation in my mind that is rarely relevant to the actual production I witness. Ellouise Schoettler’s Pushing Boundaries show...