Joshua McLucas

2016 Philadelphia Fringe Festival Review: ‘The Performers’ at University City Arts League

The Performers, directed by Erica Janko at the University City Arts League, is a layered contemporary performance piece that also serves as social commentary without a clear thesis – allowing audience...

2016 Philadelphia Fringe Festival Review: ‘Bodas de Sangre’/’I Only Came to Use the Phone’: ‘The Duende Cycle’ at Asian Arts Initiative

The Duende Cycle, two plays performed in repertory created by Eliana Fabiyi and Tanaquil Márquez, is nothing if not exceptionally ambitious. Comprised of a bilingual adaptation of Federico García...

2016 Philadelphia Fringe Festival Review: ‘Crave’ at Svaha Theatre

Performing Sarah Kane is a tall order for any theater company, and Svaha Theatre’s production of Crave (directed by Elise D’Avella) at The Iron Factory handles the task with aplomb. One of Kane’s...

2016 Philadelphia Fringe Festival Review: ‘Then Athena’ at Allentown Public Theatre

Then Athena, a collective creation, directed by Troy Dwyer, and presented by Allentown Public Theatre, presents a tapestry of stories about a wide range of women, both fictional and historical. The...

2016 Philadelphia Fringe Festival Review: ‘Two Stories’ by Jillian Glace

Two Stories, choreographed by Jillian Glace, touts itself as a dance piece centered “on the concept of perspective and how intimately we experience relationships.” While the piece succeeds at the...