Neal Zoren
7 posts
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Review: ‘The Gap’ at Azuka Theatre
The Gap, Emma Goidel’s world premiere play for Azuka Theatre, focuses on Lee, a theater practitioner constructing a performance piece about her older sister, Nicole. Nicole claims, with no irony or...
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Review: ‘Blithe Spirit’ at Hedgerow Theatre
Universal button-perfect delivery of delicious Noël Coward lines takes Carly L. Bodnar’s production of Blithe Spirit at Hedgerow Theatre miles into gratifying comic territory, but rollicking payoffs...
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Review: ‘The Gift’ at Walnut Street Theatre
The fun, and perhaps coyness, of The Gift, Will Stutts’ gentle and constantly engaging play at the Walnut Street Theatre’s Independence Studio through March 19th, is the way it uses the personae of...
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Review: ‘White Guy on the Bus’ at Delaware Theatre Company
White Guy on the Bus, at Wilmington’s Delaware Theatre Company through Sunday, February 19, is easily the prolific Bruce Graham’s most important and most accomplished play, even more than Coyote on a...
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Review: ‘Lagan’ at Villanova Theatre
About halfway through Villanova Theatre’s ultimately engaging production of Lagan, by Northern Ireland playwright Stacey Gregg, is a scene between two young people, Emmet (Patrick McAndrew) and Fiona...
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Review: ‘A Christmas Carol’ at McCarter Theatre Center
I cried while watching Adam Immerwahr’s revamped production of A Christmas Carol for McCarter Theatre Center. Immerwahr’s redo is less opulent, more spare, and aims for more intimacy and realism, but...
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‘Marisol’ at Villanova Theatre
José Rivera’s Marisol is a dystopian look at a post-apocalyptic time when a war among machine gun-toting angels, part of a heavenly rebellion against a God pronounced senile, has caused devastation as...
