Timoth David Copney

Review: ‘Les Liaisons Dangereuses’ (‘Dangerous Liaisons’)’ at Audrey Herman’s Spotlighters Theatre

There are a lot of folks who are thoroughly enjoy a good period drama. And even more who enjoy a night out watching a great play. They’re in for a delightful dose of both at Audrey Herman’s...

Review: ‘Into the Woods’ at Reisterstown Theatre Project

Back in November of 1987, Into the Woods twinkled onto the Broadway stage for the first time. With music and lyrics by Stephen Sondheim, and book and direction by James Lapine, it would run for 765...

Review: ‘Wild Oats’ at Chesapeake Shakespeare Company

Comedies trading on the mistaken identity theme have been around a long time. Shakespeare’s Twelfth Night comes to mind. And more than two hundred years after that, a fellow named John O’Keeffe penned...

Review: ‘Hick: A Love Story’ at Baltimore Theatre Project

Eleanor Roosevelt, beloved First Lady, wife of President Franklin D. Roosevelt, was a surprisingly layered woman. Seems she had a relationship with a (clutch the pearls!) woman! No big surprise that...

Review: ‘Southern Baptist Sissies’ at Spotlighters Theatre

Audrey Herman’s Spotlighter’s Theatre has once again proved why they are one of the most valued members of the Baltimore theatre scene with their production of Southern Baptist Sissies. Del Shore’s...

Review: ‘Gone’ by The Oven: A Collective Theatre Movement at Baltimore Theatre Project

The subject of human trafficking, and especially child sexploitation, is as dark and disturbing a topic for a theatrical production as anyone could imagine. The Oven, one of the newest members of the...

Review: ‘Twelfth Night’ at Iron Crow Theatre and Cohesion Theatre Company As Part of the Trans Voices Workshop Series

“I say there is no darkness but ignorance.” That’s a direct quote from the Bard himself, good old Willy Shakespeare. It seems appropriate to mention it, because Iron Crow and Cohesion Theatre Company,...