Baltimore
920 posts — page 7 of 19
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Review: ‘Thoroughly Modern Millie’ at The Heritage Players
Thoroughly Modern Millie, a tale of a “modern” gal from small-town America who takes on the business and social world of big-city New York, is a popular choice for community theatre seasons. The score...
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Review: ‘The Lion in Winter’ at Vagabond Players
The Lion in Winter’ reaches the pinnacle of high entertainment Vagabond Players’ The Lion in Winter, expertly directed by Steve Goldklang is a show any theater lover, nay any lover of art must see....
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Review: ‘Into the Woods’ at Reisterstown Theatre Project
Back in November of 1987, Into the Woods twinkled onto the Broadway stage for the first time. With music and lyrics by Stephen Sondheim, and book and direction by James Lapine, it would run for 765...
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Review: The Great American Rep: ‘Death of a Salesman’ at Everyman Theatre
In celebration of the 25th anniversary of its founding, Everyman Theatre is closing out its 2015-2016 season by doing something really special. After an already-impressive season of weighty pieces...
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‘The Naked Magic Show’ Magicians Christopher Wayne and Mike Tyler Bare it All with Lucrezia
Sometimes I hear a concept and I find it hard to envision – Shakespeare with no words for example. Having seen it, I’m now a huge fan and never miss a show. On the other hand, buff Australian dudes...
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Review: ‘The Good Person of Setzuan’ at The Towson University Department of Theatre Arts
Bertolt Brecht’s tale of the struggle to be good under the weight of capitalism is brought to the streets of Baltimore in Director Stephen Nunns’ lively and profound production of Bertolt Brecht’s The...
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Review: ‘Harry and the Thief’ at Strand Theater Company
It’s admirable when a playwright takes on depicting a public figure when creating a show that questions history. Putting words in the mouth of a real person, such as the heroic Harriet Tubman, can be...
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Review: ‘The Winter’s Tale’ at Baltimore Shakespeare Factory
Shakespeare presents a language barrier for actors and audience alike. Typically, companies affect British accents (“received pronunciation” – not everyone is a fan), though many companies choose not...
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Review: ‘Aphorisms on Gender’ by Alice Stanley Presented by Cohesion Theatre Company in Collaboration with Iron Crow Theatre
Literally, an “aphorism” is a short phrase that expresses a truth or astute observation. In Alice Stanley’s brief, but powerful, meditation on gender, they [1] have structured the piece itself as a...
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Review #2: Baltimore Symphony Orchestra: ‘Broadway Divas’
Maybe you could not dance all night, but on Thursday, March 31, 2016, when the Baltimore Symphony Orchestra performed Broadway Divas at the Music Center at Strathmore, I could not stop tapping my feet...
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Review #1: Baltimore Symphony Orchestra: ‘Broadway Divas’
What does one call a group of Broadway divas? After tonight’s performance of the Baltimore Symphony Orchestra, under the direction of Maestro Jack Everly, “Dreamgirls” seems like perhaps the...
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Review: ‘The Illusionists’ at Baltimore’s Hippodrome Theatre
Baltimore’s Hippodrome Theatre has reassurance for anyone out there asking where the magic went. Its “direct from Broadway” engagement of The Illusionists is packed full of caped conjurers,...
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Inside the Numbers: Behind the Scenes Of Bethesda Little Theatre’s ‘Broadway Bios’: Part 3: ‘It’s Willamania Time!’
The Bethesda Little Theatre Presents: Broadway Bios, an Original Musical Revue! Celebrating its 36th year, the Bethesda Little Theatre will perform the original musical revue, Broadway Bios at The...
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Review: ‘Lady Day at Emerson’s Bar and Grill’ at Spotlighters Theatre
Picture yourself sitting in a dive bar in south Philadelphia in March of 1959. You’re spending an evening listening to Billie Holiday’s soulful voice as she sings her music and regales us with stories...
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Review: “Seussical the Musical’ at Charm City Players
“Now, imagine a curtain and what lies behind; the kind of a place you might see in your mind… From the page to the stage, come along and enjoy — this tale of an elephant, a bird, a Cat in the Hat, and...
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Review: ‘Look Through My Eyes’ at Baltimore Theatre Project
Mervin Primeaux-O’Bryant, who conceived Look Through My Eyes, is the Assistant Director for Quest Visual Theatre, a group of deaf, hard of hearing, and hearing performers/teaching artists and...
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Review: ‘Venus in Fur’ at Fells Point Corner Theatre
Fells Point Corner Theatre’s Venus in Fur will knock you over. Whew! It is amazing! The dynamic talents of actors Andrew Porter and Anne Shoemaker fill the Fells Point Corner Theatre with their...
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Review: BSO: All-Beethoven at the Meyerhoff Symphony Hall
Showcasing Beethoven’s pioneering range and imaginative ingenuity, Conductor Markus Stenz led the Baltimore Symphony Orchestra in the Romantic and triumphant incidental music to Egmont last night,...
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Review: ‘Motown: The Musical’ at Hippodrome Theatre at The France-Merrick Performing Arts Center
The music of Motown is a gift that keeps on giving. In 2013, Motown: The Musical wrapped up big chunks of that songbook and armfuls of personal charisma in rainbows of light tied with wide swaths of...
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Review: ‘Something Like Jazz Music’ at Single Carrot Theatre
Something Like Jazz Music, at Single Carrot Theatre in Baltimore, is something like a montage time traveling piece, with challenging parts that engaged me and the audience to rethink the way local...
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Review: ‘Wild Oats’ at Chesapeake Shakespeare Company
Comedies trading on the mistaken identity theme have been around a long time. Shakespeare’s Twelfth Night comes to mind. And more than two hundred years after that, a fellow named John O’Keeffe penned...
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Review: ‘Hamlet’ at Cohesion Theatre Company
Anemic Royalty: Come as You Are to Elsinore I have a new favorite production of Hamlet and I saw it right here in Charm City. I’ve seen Hamlet done very well before, but I’ve never seen anything like...
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Review: ‘The Normal Heart’ at Vagabond Players
Motivational Speaker David Joseph Schwartz once wrote, “To fight fear, act. To increase fear, wait, put off, postpone.” In their latest production during their 100th year of being America’s Oldest...
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Review: ‘Hick: A Love Story’ at Baltimore Theatre Project
Eleanor Roosevelt, beloved First Lady, wife of President Franklin D. Roosevelt, was a surprisingly layered woman. Seems she had a relationship with a (clutch the pearls!) woman! No big surprise that...
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Review: ‘Let’s Get Personal’ at Baltimore Theatre Project
Let’s Get Personal, the new one-woman show playing this weekend at Baltimore Theatre Project, takes two things that typically get a bad rap – self-help workshops and audience participation – and turns...
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Review: ‘BSO: An Evening with Sutton Foster’ at The Music Center at Strathmore
It may be chilly outside, but Sutton Foster was most warmly welcomed as she performed tonight, Thursday, February 18, 2016 at the Music Center at Strathmore with the Baltimore Symphony Orchestra under...
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Review: ‘Southern Baptist Sissies’ at Spotlighters Theatre
Audrey Herman’s Spotlighter’s Theatre has once again proved why they are one of the most valued members of the Baltimore theatre scene with their production of Southern Baptist Sissies. Del Shore’s...
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Review: ‘The 25th Annual Putnam County Spelling Bee’ at StillPointe Theatre Initiative
Over the past several years, StillPointe Theatre Initiative has emerged as “the little theater company that could.” They have become known for two things: staging ambitious works with very limited...
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Eddie’s Travel Picks: A Visit to The Ivy Hotel in Baltimore, MD
Recently I had the honor to spend the night at the Ivy Hotel located in midtown Baltimore at 204 East Biddle Street at Calvert. It opened in June of 2015 in a house that was built in 1889. Of course...
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Review: ‘As You Like It’ at Centerstage
Embarking on a $32 million, year-long renovation project that features major renovations to Centerstage’s two-stage complex while adding a new 99-seat theater, the last two shows of its season are...
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Here Are The 2016 Helen Hayes Award Nominations And A Look Back at The 2015 Nominations & Recipients
______ Outstanding Choreography in a Musical-HAYES Production Parker Esse West Side Story Signature Theatre Michele Lynch Kiss Me, Kate Shakespeare Theatre Company Tommy Rapley Carousel Olney Theatre...
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Review: ‘The Phantom of the Opera’ at Hippodrome Theatre at The France-Merrick Performing Arts Center
The Phantom of the Opera is an entertainment phenomenon. Can we all just agree about that and move on? It’s still going strong after 30 years in London and 27 years on Broadway. As a reminder of its...
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Review: ‘Under the Skin’ at Everyman Theatre
At first blush, a play about organ donation might not have you rushing to the box office. But Playwright Michael Hollinger’s Under the Skin, which plays at Everyman Theatre through February 21st,...
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Theatre Performance Updates: January 28th at 9:45 PM
HERE ARE SOME NEW UPDATES RE: THIS WEEK’S PERFORMANCES: UPDATED 9:45 PM on JANUARY 27, 2016 TONIGHT JANUARY 28TH AT 8 PM RESTON COMMUNITY THEATRE’S ‘MASTER CLASS’-SPECIAL PERFORMANCE TONIGHT!...
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The Theatre Community Mourns the Passing of Nicholas Delaney
The theater community is saddened by the sudden passing of Nicholas Delaney, at age 34 two days ago. Our condolences to his family, to Alice, to his friends, actors, and fellow musicians who worked...
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DCMetroTheaterArts’ Best of 2015 #23: Best Cabaret, Concerts, and Opera Productions in the DC Metro Area
The staff of DCMetroTheaterArts is honored to announce that their 2015 Best Cabaret, Concert, and Opera honors go to to: CABARETS Anonymous at Creative Cauldron’s Summer Cabaret Series by Rachel...
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Theatre and Music Venues Snow Closings and Reschedulings Updated 1/24/16@12:20 AM: New Sunday Closings-Mosaic is Open for 3 Performances Today-Sunday
Metro is closed until Monday morning and may stay closed longer. We will update the status when the announcement is made. *Means just added. Here are New Sunday Closings just added on 1/24/16@12:20 PM...
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Review: ‘Gone’ by The Oven: A Collective Theatre Movement at Baltimore Theatre Project
The subject of human trafficking, and especially child sexploitation, is as dark and disturbing a topic for a theatrical production as anyone could imagine. The Oven, one of the newest members of the...
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Review: ‘Chronoshred: The Adventures of Stardust Lazerdong’ at Baltimore Rock Opera Society
Though the week started on a tragic note for rock fans with the loss of David Bowie, a sliver of light has emerged for local audiences in the person of Greg Bowen, currently playing the title role in...
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Review: ‘The 39 Steps’ at Fells Point Corner Theatre and The Collaborative Theatre
It is said that, “Dying is easy. Comedy is hard.” Well, the latter is doubly, no, triply, no, quadruply, no, well… you get the idea in Fells Point Corner Theatre and The Collaborative Theatre’s...
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Review: ‘The Complete Deaths of William Shakespeare’ at Cohesion Theatre Company and Baltimore Shakespeare Factory
A Killer Play, Four Centuries in the Making In commemoration of the 400th anniversary of William Shakespeare’s death, the Baltimore Shakespeare Factory and Cohesion Theatre Company have joined forces...
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Review: ‘Flatland’ at Annex Theater
As originally conceived by Edwin Abbot in the late 19th century, the novella Flatland is a biting satire about Victorian social hierarchies, played out in a two-dimensional world where women are...
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DCMetroTheaterArts’ Best of 2015 #22: High School and Training Programs
The staff of DCMetroTheaterArts is honored to announce that their 2014 Best Performances in High School and Training Programs go to: HIGH SCHOOL PRODUCTIONS: The Addams Family at West Potomac High...
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DCMetroTheaterArts’ Best of 2015 #21: Best Design of 2015 in DC Metro Area Theatres
The staff of DCMetroTheaterArts is pleased to honor the following designers for their work in 2015: CHOREOGRAPHY Germaul Barnes for Marley at Centerstage. Michael Bobbitt for Guys and Dolls at Olney...
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Review: ‘Twelfth Night’ at Iron Crow Theatre and Cohesion Theatre Company As Part of the Trans Voices Workshop Series
“I say there is no darkness but ignorance.” That’s a direct quote from the Bard himself, good old Willy Shakespeare. It seems appropriate to mention it, because Iron Crow and Cohesion Theatre Company,...
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Review: ‘Our Town’ at Vagabond Players
Because of technology, our lives move much more quickly than in the past. We can find out information faster, travel places faster, and even have packages arrive at our home faster than we ever could...
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DCMetroTheaterArts’ Best of 2015 #20: University Productions, Performances, and Ensembles
The staff of DCMetroTheaterArts is honored to announce that their 2015 Best Productions, Performances, and Ensembles honors in University productions go to: UNIVERSITY PRODUCTIONS: A Funny Thing...
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DCMetroTheaterArts’ Best of 2015 #17: Best Directors of a Play in Community Theatres
The staff of DCMetroTheaterArts is honored to announce that their 2015 Best Directors of Plays in Community Theatres honors go to: Mark T. Allen for Agatha Christie’s And Then There Were None at...
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DCMetroTheaterArts’ Best of 2015 #16: Best Directors of a Musical in Community Theatres
The staff of DCMetroTheaterArts is honored to announce that their 2015 Best Directors of Musicals in Community Theatres honors go to: Hans Bachmann for Company at Tantallon Community Players. Lisa...
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DCMetroTheaterArts’ Best of 2015 #15: Best Directors of Musicals in Professional Theatres
The staff of DCMetroTheaterArts is honored to announce that their 2015 Best Directors of Musicals in Professional Theatres honors go to: Patrick A’Hearn for The Music of Andrew Lloyd Webber at...